New Wave (Pamono)

Jérôme Aumont had the misfortune of a good idea. He was in his early forties, and, after two decades of work as a journalist in his native France, he’d landed a high-profile job as the editor-in-chief of the venerable design and decoration publication Maison Française. By all accounts, he should have been supremely satisfied. But something had begun to needle him.

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